Introducing KOONG KING
Okay, that's the 'mainstay' characters and basic premise of the BABY BOOMER strip established and explained within this site. Asssuming that your brain-stems are not throbbing after taking in all this surrealism and inked-in Anarchy, perhaps it's time to 'slip in' another couple of elements that crop up----with considerable regularity------within the strip's frame work.
There are a couple of recurring themes [he added, pretentiously] that serve to establish the overall anarchic tone of this comic-world, in which anything [at least, within the bounds of taste and decency, and, of course, Obscenity Laws!] can, and does, happen.
Almost as a backdrop to the outlandish events served up by your willing collaborator/cartoonist, the reader can sometimes savor the sight of the hulking KOONG KING, who stalks the streets and 'scrapers of Noo Yoik on an almost casual basis, popping up into the strip with the regularity of a passing tomcat , or passing drunk.
Or passing drunk Tomcat, even.........
As can be seen in the above Illustrious Illustration, KOONG KING 'interacts' with the four central players in the capacity of [almost] stooge and back-up character, providing endless absurdist delights for the committed reader of such fare.The Giant Ape works especially well in 'widescreen' Landscape daily strips, where his hulking frame looms over the tiny characters......all within tiny 4 x 13 inch cartoon comic-frames.
There are a couple of recurring themes [he added, pretentiously] that serve to establish the overall anarchic tone of this comic-world, in which anything [at least, within the bounds of taste and decency, and, of course, Obscenity Laws!] can, and does, happen.
Almost as a backdrop to the outlandish events served up by your willing collaborator/cartoonist, the reader can sometimes savor the sight of the hulking KOONG KING, who stalks the streets and 'scrapers of Noo Yoik on an almost casual basis, popping up into the strip with the regularity of a passing tomcat , or passing drunk.
As can be seen in the above Illustrious Illustration, KOONG KING 'interacts' with the four central players in the capacity of [almost] stooge and back-up character, providing endless absurdist delights for the committed reader of such fare.The Giant Ape works especially well in 'widescreen' Landscape daily strips, where his hulking frame looms over the tiny characters......all within tiny 4 x 13 inch cartoon comic-frames.
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